Articles

Randall Halle

"Happy Ends" to Crises of Heterosexual Desire: Toward a Social Psychology of Recent German Comedies
Camera Obscura 15(2 44): 1-39 (2000); DOI:10.1215/02705346-15-2_44-1 [PDF]  

Lutz Koepnick

Consuming the Other: Identity, Alterity, and Contemporary German Cinema
Camera Obscura 15(2 44): 41-73 (2000); DOI:10.1215/02705346-15-2_44-41 [PDF]  

Nora M. Alter

Mourning, Sound, and Vision: Jean-Luc Godard's JLG/JLG
Camera Obscura 15(2 44): 75-103 (2000); DOI:10.1215/02705346-15-2_44-75 [PDF]  

Angelica Fenner

Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in Sinan Çetin's Berlin in Berlin
Camera Obscura 15(2 44): 105-149 (2000); DOI:10.1215/02705346-15-2_44-105 [PDF]  

Barbara Mennel and Amy Ongiri

In a Desert Somewhere between Disney and Las Vegas: The Fantasy of Interracial Harmony and American Multiculturalism in Percy Adlon's Bagdad Cafe
Camera Obscura 15(2 44): 151-175 (2000); DOI:10.1215/02705346-15-2_44-151 [PDF]  

Margaret McCarthy

Teutonic Water: Effervescent Otherness in Doris Dörrie's Nobody Loves Me
Camera Obscura 15(2 44): 177-201 (2000); DOI:10.1215/02705346-15-2_44-177 [PDF]  

Books Received
Camera Obscura 15(2 44): 202-204 (2000); DOI:10.1215/02705346-15-2_44-202 [PDF]  

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