Articles

Melinda Barlow

Editor's Note on "Dossier on Women and Video: Histories and Practices"
Camera Obscura 18(3 54): 1 (2003); DOI:10.1215/02705346-18-3_54-1 [PDF]  

Melinda Barlow

Feminism 101: The New York Women's Video Festival, 1972-1980
Camera Obscura 18(3 54): 3-38 (2003); DOI:10.1215/02705346-18-3_54-3 [PDF]  

Laura U. Marks

What Is That and between Arab Women and Video? The Case of Beirut
Camera Obscura 18(3 54): 41-69 (2003); DOI:10.1215/02705346-18-3_54-41 [PDF]  

Alexandra Juhasz

No Woman Is an Object: Realizing the Feminist Collaborative Video
Camera Obscura 18(3 54): 71-97 (2003); DOI:10.1215/02705346-18-3_54-71 [PDF]  

Maureen Turim

Marina Abramovi's Performance: Stresses on the Body and Psyche in Installation Art
Camera Obscura 18(3 54): 99-117 (2003); DOI:10.1215/02705346-18-3_54-99 [PDF]  

Eve Oishi

Interview with Patty Chang
Camera Obscura 18(3 54): 119-129 (2003); DOI:10.1215/02705346-18-3_54-119 [PDF]  

Sharon Willis

The Politics of Disappointment: Todd Haynes Rewrites Douglas Sirk
Camera Obscura 18(3 54): 131-175 (2003); DOI:10.1215/02705346-18-3_54-131 [PDF]  

Anikó Imre

Twin Pleasures of Feminism: Orlando Meets My Twentieth Century
Camera Obscura 18(3 54): 177-211 (2003); DOI:10.1215/02705346-18-3_54-177 [PDF]  

Books Received
Camera Obscura 18(3 54): 212-214 (2003); DOI:10.1215/02705346-18-3_54-212 [PDF]  

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