Articles

Erratum
Camera Obscura 19(1 55): iii-np (2004); DOI:10.1215/02705346-19-1_55-iii [PDF]  

Karen Beckman

Dead Woman Glowing: Karla Faye Tucker and the Aesthetics of Death Row Photography
Camera Obscura 19(1 55): 1-41 (2004); DOI:10.1215/02705346-19-1_55-1 [PDF]  

E. Kim Stone

Recovering the Lone Mother: Howards End As Aesthetic Anodyne
Camera Obscura 19(1 55): 43-75 (2004); DOI:10.1215/02705346-19-1_55-43 [PDF]  

Jessica Brent

Beyond the Gaze: Visual Fascination and the Feminine Image in Silent Hitchcock
Camera Obscura 19(1 55): 77-111 (2004); DOI:10.1215/02705346-19-1_55-77 [PDF]  

Vincent Hausmann

Envisioning the (W)hole World "Behind Things": Denying Otherness in American Beauty
Camera Obscura 19(1 55): 113-149 (2004); DOI:10.1215/02705346-19-1_55-113 [PDF]  

James Kim

The Legend of the White-and-Yellow Black Man: Global Containment and Triangulated Racial Desire in Romeo Must Die
Camera Obscura 19(1 55): 151-179 (2004); DOI:10.1215/02705346-19-1_55-151 [PDF]  

Julia Bryan-Wilson

Some Kind of Grace: An Interview with Miranda July
Camera Obscura 19(1 55): 181-197 (2004); DOI:10.1215/02705346-19-1_55-181 [PDF]  

Books Received
Camera Obscura 19(1 55): 198-199 (2004); DOI:10.1215/02705346-19-1_55-198 [PDF]  

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