Articles

Melanie Taylor

Peter (A Young English Girl): Visualizing Transgender Masculinities
Camera Obscura 19(2 56): 1-45 (2004); DOI:10.1215/02705346-19-2_56-1 [PDF]  

Charles I. Nero

Diva Traffic and Male Bonding in Film: Teaching Opera, Learning Gender, Race, and Nation
Camera Obscura 19(2 56): 47-73 (2004); DOI:10.1215/02705346-19-2_56-47 [PDF]  

Lisa Dickson

Hook and Eye: Violence and the Captive Gaze
Camera Obscura 19(2 56): 75-103 (2004); DOI:10.1215/02705346-19-2_56-75 [PDF]  

Homay King

Free Indirect Affect in Cassavetes' Opening Night and Faces
Camera Obscura 19(2 56): 105-139 (2004); DOI:10.1215/02705346-19-2_56-105 [PDF]  

Shelley Stamp

Lois Weber, Progressive Cinema, and the Fate of "The Work-a-Day Girl" in Shoes
Camera Obscura 19(2 56): 141-169 (2004); DOI:10.1215/02705346-19-2_56-141 [PDF]  

Books Received
Camera Obscura 19(2 56): 170-171 (2004); DOI:10.1215/02705346-19-2_56-170 [PDF]  

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