Articles

Mary Ann Doane

Pathos and Pathology: The Cinema of Todd Haynes
Camera Obscura 19(3 57): 1-21 (2004); DOI:10.1215/02705346-19-3_57-1 [PDF]  

Mary Desjardins

The Incredible Shrinking Star: Todd Haynes and the Case History of Karen Carpenter
Camera Obscura 19(3 57): 23-55 (2004); DOI:10.1215/02705346-19-3_57-23 [PDF]  

Lucas Hilderbrand

Grainy Days and Mondays: Superstar and Bootleg Aesthetics
Camera Obscura 19(3 57): 57-91 (2004); DOI:10.1215/02705346-19-3_57-57 [PDF]  

Laura Christian

Of Housewives and Saints: Abjection, Transgression, and Impossible Mourning in Poison and Safe
Camera Obscura 19(3 57): 93-123 (2004); DOI:10.1215/02705346-19-3_57-93 [PDF]  

Susan Potter

Dangerous Spaces: Safe
Camera Obscura 19(3 57): 125-155 (2004); DOI:10.1215/02705346-19-3_57-125 [PDF]  

Edward R. O'Neill

Traumatic Postmodern Histories: Velvet Goldmine's Phantasmatic Testimonies
Camera Obscura 19(3 57): 157-185 (2004); DOI:10.1215/02705346-19-3_57-157 [PDF]  

Lynne Joyrich

Written on the Screen: Mediation and Immersion in Far from Heaven
Camera Obscura 19(3 57): 187-219 (2004); DOI:10.1215/02705346-19-3_57-187 [PDF]  

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