Articles

Lindsey Moore

Women in a Widening Frame: (Cross-)Cultural Projection, Spectatorship, and Iranian Cinema
Camera Obscura 20(2 59): 1-33 (2005); DOI:10.1215/02705346-20-2_59-1 [PDF]  

Carolin Overhoff Ferreira

The Adolescent as Postcolonial Allegory: Strategies of Intersubjectivity in Recent Portuguese Films
Camera Obscura 20(2 59): 35-71 (2005); DOI:10.1215/02705346-20-2_59-35 [PDF]  

Kerr Houston

"Siam Not So Small!" Maps, History, and Gender in The King and I
Camera Obscura 20(2 59): 73-117 (2005); DOI:10.1215/02705346-20-2_59-73 [PDF]  

Paula Amad

"These Spectacles Are Never Forgotten": Memory and Reception in Colette's Film Criticism
Camera Obscura 20(2 59): 119-163 (2005); DOI:10.1215/02705346-20-2_59-119 [PDF]  

Brett Farmer

The Fabulous Sublimity of Gay Diva Worship
Camera Obscura 20(2 59): 165-195 (2005); DOI:10.1215/02705346-20-2_59-165 [PDF]  

Call for Papers

Call for Papers
Camera Obscura 20(2 59): 196-197 (2005); DOI:10.1215/02705346-20-2_59-196 [PDF]  

Call for Papers
Camera Obscura 20(2 59): 198-199 (2005); DOI:10.1215/02705346-20-2_59-198 [PDF]  

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