Articles

Catherine Russell

New Women of the Silent Screen: China, Japan, Hollywood
Camera Obscura 20(3 60): 1-13 (2005); DOI:10.1215/02705346-20-3_60-1 [PDF]  

Mitsuyo Wada-Marciano

Imaging Modern Girls in the Japanese Woman's Film
Camera Obscura 20(3 60): 15-55 (2005); DOI:10.1215/02705346-20-3_60-15 [PDF]  

Catherine Russell

Naruse Mikio's Silent Films: Gender and the Discourse of Everyday Life in Interwar Japan
Camera Obscura 20(3 60): 57-89 (2005); DOI:10.1215/02705346-20-3_60-57 [PDF]  

Chika Kinoshita

In the Twilight of Modernity and the Silent Film: Irie Takako in The Water Magician
Camera Obscura 20(3 60): 91-127 (2005); DOI:10.1215/02705346-20-3_60-91 [PDF]  

Sara Ross

The Americanization of Tsuru Aoki: Orientalism, Melodrama, Star Image, and the New Woman
Camera Obscura 20(3 60): 129-157 (2005); DOI:10.1215/02705346-20-3_60-129 [PDF]  

Yiman Wang

The Art of Screen Passing: Anna May Wong's Yellow Yellowface Performance in the Art Deco Era
Camera Obscura 20(3 60): 159-191 (2005); DOI:10.1215/02705346-20-3_60-159 [PDF]  

Weihong Bao

From Pearl White to White Rose Woo: Tracing the Vernacular Body of Nüxia in Chinese Silent Cinema, 1927-1931
Camera Obscura 20(3 60): 193-231 (2005); DOI:10.1215/02705346-20-3_60-193 [PDF]  

Call for Papers

Call for Papers
Camera Obscura 20(3 60): 234-235 (2005); DOI:10.1215/02705346-20-3_60-234 [PDF]  

Call for Papers
Camera Obscura 20(3 60): 236-237 (2005); DOI:10.1215/02705346-20-3_60-236 [PDF]  

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