Articles

Amy Shore

Suffrage Stars
Camera Obscura 21(3 63): 1-35 (2006); DOI:10.1215/02705346-2006-010 [PDF]  

Kwai-Cheung Lo

Knocking Off Nationalism in Hong Kong Cinema: Woman and the Chinese "Thing" in Tsui Hark's Films
Camera Obscura 21(3 63): 37-61 (2006); DOI:10.1215/02705346-2006-011 [PDF]  

Laura Shackelford

Subject to Change: The Monstrosity of Media in Shelley Jackson's Patchwork Girl; or, A Modern Monster and Other Post-humanist Critiques of the Instrumental
Camera Obscura 21(3 63): 63-101 (2006); DOI:10.1215/02705346-2006-012 [PDF]  

Nicholas Sammond

Picture This: Lillian Gilbreth's Industrial Cinema for the Home
Camera Obscura 21(3 63): 103-133 (2006); DOI:10.1215/02705346-2006-013 [PDF]  

Camera Obscura's Archive for the Future
Camera Obscura 21(3 63): 135 (2006); DOI:10.1215/02705346-21-3_63-135 [PDF]  

An Archive for the Future

Lynne Joyrich

Closet Archives
Camera Obscura 21(3 63): 137-143 (2006); DOI:10.1215/02705346-2006-014 [PDF]  

Patricia White

The Last Days of Women's Cinema
Camera Obscura 21(3 63): 145-151 (2006); DOI:10.1215/02705346-2006-015 [PDF]  

Robin Blaetz

Rescuing the Fragmentary Evidence of Women's Experimental Film
Camera Obscura 21(3 63): 153-156 (2006); DOI:10.1215/02705346-2006-016 [PDF]  

Ramona Curry

A Brief History of the Ms in SCMS
Camera Obscura 21(3 63): 159-165 (2006); DOI:10.1215/02705346-2006-017 [PDF]  

Yvonne Rainer

Mulvey's Legacy
Camera Obscura 21(3 63): 167-170 (2006); DOI:10.1215/02705346-2006-018 [PDF]  

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