Articles

Michelle Langford

Allegory and the Aesthetics of Becoming-Woman in Marziyeh Meshkini's The Day I Became a Woman
Camera Obscura 22(1 64): 1-41 (2007); DOI:10.1215/02705346-2006-019 [PDF]  

Varun Begley

"One Right Guy to Another": Howard Hawks and Auteur Theory Revisited
Camera Obscura 22(1 64): 43-75 (2007); DOI:10.1215/02705346-2006-020 [PDF]  

Domietta Torlasco

Undoing the Scene of the Crime: Perspective and the Vanishing of the Spectator
Camera Obscura 22(1 64): 77-111 (2007); DOI:10.1215/02705346-2006-021 [PDF]  

Lynn Turner

Wind Up: The Machine-Event of Tape

Camera Obscura 22(1 64): 113-135 (2007); DOI:10.1215/02705346-2006-022 [PDF]  

Kay Dickinson

"I Have One Daughter and That Is Egyptian Cinema": `Azza Amr amid the Histories and Geographies of National Allegory
Camera Obscura 22(1 64): 137-177 (2007); DOI:10.1215/02705346-2006-023 [PDF]  

Camera Obscura's Archive for the Future
Camera Obscura 22(1 64): 179 (2007); DOI:10.1215/02705346-22-1_64-179 [PDF]  

An Archive for the Future

Amelie Hastie

Breathing in the Archives
Camera Obscura 22(1 64): 181-185 (2007); DOI:10.1215/02705346-2006-024 [PDF]  

Karen Beckman

The Archive, the Phallus, and the Future
Camera Obscura 22(1 64): 186-193 (2007); DOI:10.1215/02705346-2006-025 [PDF]  

Lynne Sachs

Thoughts on Birth and Brakhage
Camera Obscura 22(1 64): 194-196 (2007); DOI:10.1215/02705346-2006-026 [PDF]  

Joan Braderman

Feminism and Video: A View from the Village
Camera Obscura 22(1 64): 197-208 (2007); DOI:10.1215/02705346-2006-027 [PDF]  

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