Articles

Despina Kakoudaki

World without Strangers: The Poetics of Coincidence in Pedro Almodóvar's Talk to Her
Camera Obscura 23(2 68): 1-39 (2008); DOI:10.1215/02705346-2008-001 [Abstract] [PDF]  

Catherine Zimmer

Histories of The Watermelon Woman: Reflexivity between Race and Gender
Camera Obscura 23(2 68): 41-66 (2008); DOI:10.1215/02705346-2008-002 [Abstract] [PDF]  

Kristi McKim

Learning to Love What Passes: Sensual Perception, Temporal Transformation, and Epistemic Production in Hirokazu Kore-eda's After Life
Camera Obscura 23(2 68): 69-101 (2008); DOI:10.1215/02705346-2008-003 [Abstract] [PDF]  

Boaz Hagin

Male Weeping as Performative: The Crying Mossad Assassin in Walk on Water
Camera Obscura 23(2 68): 103-139 (2008); DOI:10.1215/02705346-2008-004 [Abstract] [PDF]  

Kenneth Chan

Tactics of Tears: Excess/Erasure in the Gay Chinese Melodramas of Fleeing by Night and Lan Yu
Camera Obscura 23(2 68): 141-166 (2008); DOI:10.1215/02705346-2008-005 [Abstract] [PDF]  

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