Articles

Rosalind Galt

Pretty: Film Theory, Aesthetics, and the History of the Troublesome Image
Camera Obscura 24(2 71): 1-41 (2009); DOI:10.1215/02705346-2009-001 [Abstract] [PDF]  

Belinda Smaill

The Documentaries of Kim Longinotto: Women, Change, and Painful Modernity
Camera Obscura 24(2 71): 43-75 (2009); DOI:10.1215/02705346-2009-002 [Abstract] [PDF]  

Constantin Parvulescu

Betrayed Promises: Politics and Sexual Revolution in the Films of Márta Mészáros, Milo Forman, and Duan Makavejev
Camera Obscura 24(2 71): 77-105 (2009); DOI:10.1215/02705346-2009-003 [Abstract] [PDF]  

Suzanne Gauch

Now You See It, Now You Don't: Transnational Feminist Spectatorship and Farida Benlyazid's A Door to the Sky
Camera Obscura 24(2 71): 107-137 (2009); DOI:10.1215/02705346-2009-004 [Abstract] [PDF]  

K K Seet

Mothers and Daughters: Abjection and the Monstrous-Feminine in Japan's Dark Water and South Korea's A Tale of Two Sisters
Camera Obscura 24(2 71): 139-159 (2009); DOI:10.1215/02705346-2009-005 [Abstract] [PDF]  

Ewan Kirkland

Masculinity in Video Games: The Gendered Gameplay of Silent Hill
Camera Obscura 24(2 71): 161-183 (2009); DOI:10.1215/02705346-2009-006 [Abstract] [PDF]  

Call for Submissions: In Practice: Feminism/Culture/Media
Camera Obscura 24(2 71): 184-185 (2009); DOI:10.1215/02705346-24-2_71-184 [PDF]  

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