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<title><![CDATA[Two or Three Spectacular Mulatas and the Queer Pleasures of Overidentification]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/113?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Hiram Perez<br />Jan  1, 2008; 23:113-143<br />Fabulous! Divas, Part 2]]></description>
<dc:creator>Hiram Perez</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-026</dc:identifier>
<dc:title><![CDATA[Two or Three Spectacular Mulatas and the Queer Pleasures of Overidentification]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
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<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/146?rss=1&amp;ssource=mfc">
<title><![CDATA[Vincent Price and Me: Imagining the Queer Male Diva]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/146?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Harry M. Benshoff<br />Jan  1, 2008; 23:146-150<br />Diva Appreciations]]></description>
<dc:creator>Harry M. Benshoff</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-029</dc:identifier>
<dc:title><![CDATA[Vincent Price and Me: Imagining the Queer Male Diva]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
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<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/165?rss=1&amp;ssource=mfc">
<title><![CDATA[The Dandy Diva]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/165?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Andrea Fontenot<br />Jan  1, 2008; 23:165-171<br />Diva Appreciations]]></description>
<dc:creator>Andrea Fontenot</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-030</dc:identifier>
<dc:title><![CDATA[The Dandy Diva]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
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<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/69?rss=1&amp;ssource=mfc">
<title><![CDATA[Devouring the Diva: Martyrdom as Feminist Backlash in The Rose]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/69?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Melissa Bradshaw<br />Jan  1, 2008; 23:69-87<br />Fabulous! Divas, Part 2]]></description>
<dc:creator>Melissa Bradshaw</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-024</dc:identifier>
<dc:title><![CDATA[Devouring the Diva: Martyrdom as Feminist Backlash in The Rose]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/1?rss=1&amp;ssource=mfc">
<title><![CDATA[Pretty: Film Theory, Aesthetics, and the History of the Troublesome Image]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Rosalind Galt<br />Jan  1, 2009; 24:1-41<br />Articles]]></description>
<dc:creator>Rosalind Galt</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2009-001</dc:identifier>
<dc:title><![CDATA[Pretty: Film Theory, Aesthetics, and the History of the Troublesome Image]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/7?rss=1&amp;ssource=mfc">
<title><![CDATA[Introduction: Race and/as Technology; or, How to Do Things to Race]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/7?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Wendy Hui Kyong Chun<br />Jan  1, 2009; 24:7-35<br />Articles]]></description>
<dc:creator>Wendy Hui Kyong Chun</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2008-013</dc:identifier>
<dc:title><![CDATA[Introduction: Race and/as Technology; or, How to Do Things to Race]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/1?rss=1&amp;ssource=mfc">
<title><![CDATA[Introduction: The Good, the Bad, and the Fabulous; or, The Diva Issue Strikes Back]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Alexander Doty<br />Jan  1, 2008; 23:1-9<br />Fabulous! Divas, Part 2]]></description>
<dc:creator>Alexander Doty</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-021</dc:identifier>
<dc:title><![CDATA[Introduction: The Good, the Bad, and the Fabulous; or, The Diva Issue Strikes Back]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/1?rss=1&amp;ssource=mfc">
<title><![CDATA[Preface: Bringing Race and Media Technologies into Focus]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Lynne Joyrich<br />Jan  1, 2009; 24:1-5<br />Articles]]></description>
<dc:creator>Lynne Joyrich</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2008-012</dc:identifier>
<dc:title><![CDATA[Preface: Bringing Race and Media Technologies into Focus]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/151?rss=1&amp;ssource=mfc">
<title><![CDATA[Vaginal Davis's Gospel Truths]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/151?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Marc Siegel<br />Jan  1, 2008; 23:151-159<br />Diva Appreciations]]></description>
<dc:creator>Marc Siegel</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-027</dc:identifier>
<dc:title><![CDATA[Vaginal Davis's Gospel Truths]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/37?rss=1&amp;ssource=mfc">
<title><![CDATA[The Face and the Public: Race, Secrecy, and Digital Art Practice]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/37?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Jennifer Gonzalez<br />Jan  1, 2009; 24:37-65<br />Articles]]></description>
<dc:creator>Jennifer Gonzalez</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2008-014</dc:identifier>
<dc:title><![CDATA[The Face and the Public: Race, Secrecy, and Digital Art Practice]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/43?rss=1&amp;ssource=mfc">
<title><![CDATA[The Documentaries of Kim Longinotto: Women, Change, and Painful Modernity]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/43?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Belinda Smaill<br />Jan  1, 2009; 24:43-75<br />Articles]]></description>
<dc:creator>Belinda Smaill</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2009-002</dc:identifier>
<dc:title><![CDATA[The Documentaries of Kim Longinotto: Women, Change, and Painful Modernity]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/11?rss=1&amp;ssource=mfc">
<title><![CDATA[Lena Horne's Impersona]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/11?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Shane Vogel<br />Jan  1, 2008; 23:11-45<br />Fabulous! Divas, Part 2]]></description>
<dc:creator>Shane Vogel</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-022</dc:identifier>
<dc:title><![CDATA[Lena Horne's Impersona]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/194?rss=1&amp;ssource=mfc">
<title><![CDATA[Ruby Red and Emerald Green: The Queer Demon Diva of My Dreams]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/194?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Lorrie Palmer<br />Jan  1, 2008; 23:194-199<br />Diva Appreciations]]></description>
<dc:creator>Lorrie Palmer</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-033</dc:identifier>
<dc:title><![CDATA[Ruby Red and Emerald Green: The Queer Demon Diva of My Dreams]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/2_68/41?rss=1&amp;ssource=mfc">
<title><![CDATA[Histories of The Watermelon Woman: Reflexivity between Race and Gender]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/2_68/41?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Catherine Zimmer<br />Jan  1, 2008; 23:41-66<br />Articles]]></description>
<dc:creator>Catherine Zimmer</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2008-002</dc:identifier>
<dc:title><![CDATA[Histories of The Watermelon Woman: Reflexivity between Race and Gender]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/22/3_66/1?rss=1&amp;ssource=mfc">
<title><![CDATA[Mulvey's Manifesto]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/22/3_66/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Mandy Merck<br />Jan  1, 2007; 22:1-23<br />Articles]]></description>
<dc:creator>Mandy Merck</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-013</dc:identifier>
<dc:title><![CDATA[Mulvey's Manifesto]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/18/2_53/125?rss=1&amp;ssource=mfc">
<title><![CDATA[The Practice and Politics of "Freeing the Look": Jonathan Demme's The Silence of the Lambs]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/18/2_53/125?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Andrew Schopp<br />Jan  1, 2003; 18:125-151<br />Articles]]></description>
<dc:creator>Andrew Schopp</dc:creator>
<dc:date>2003-01-01</dc:date>
<dc:identifier>10.1215/02705346-18-2_53-125</dc:identifier>
<dc:title><![CDATA[The Practice and Politics of "Freeing the Look": Jonathan Demme's The Silence of the Lambs]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/21/2_62/1?rss=1&amp;ssource=mfc">
<title><![CDATA[Joan Crawford's Padded Shoulders: Female Masculinity in Mildred Pierce]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/21/2_62/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Robert J. Corber<br />Jan  1, 2006; 21:1-31<br />Articles]]></description>
<dc:creator>Robert J. Corber</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1215/02705346-2006-001</dc:identifier>
<dc:title><![CDATA[Joan Crawford's Padded Shoulders: Female Masculinity in Mildred Pierce]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/184?rss=1&amp;ssource=mfc">
<title><![CDATA[Call for Submissions: In Practice: Feminism/Culture/Media]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/184?rss=1&amp;ssource=mfc</link>
<description><![CDATA[<br />Jan  1, 2009; 24:184-185<br />Articles]]></description>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-24-2_71-184</dc:identifier>
<dc:title><![CDATA[Call for Submissions: In Practice: Feminism/Culture/Media]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
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<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/20/2_59/1?rss=1&amp;ssource=mfc">
<title><![CDATA[Women in a Widening Frame: (Cross-)Cultural Projection, Spectatorship, and Iranian Cinema]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/20/2_59/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Lindsey Moore<br />Jan  1, 2005; 20:1-33<br />Articles]]></description>
<dc:creator>Lindsey Moore</dc:creator>
<dc:date>2005-01-01</dc:date>
<dc:identifier>10.1215/02705346-20-2_59-1</dc:identifier>
<dc:title><![CDATA[Women in a Widening Frame: (Cross-)Cultural Projection, Spectatorship, and Iranian Cinema]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/47?rss=1&amp;ssource=mfc">
<title><![CDATA[Cinderella Man: Russell Crowe as Il Diva]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/47?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Michael DeAngelis<br />Jan  1, 2008; 23:47-67<br />Fabulous! Divas, Part 2]]></description>
<dc:creator>Michael DeAngelis</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-023</dc:identifier>
<dc:title><![CDATA[Cinderella Man: Russell Crowe as Il Diva]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/160?rss=1&amp;ssource=mfc">
<title><![CDATA[Love Letter to Jane]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/160?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Joe Wlodarz<br />Jan  1, 2008; 23:160-164<br />Diva Appreciations]]></description>
<dc:creator>Joe Wlodarz</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-028</dc:identifier>
<dc:title><![CDATA[Love Letter to Jane]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/20/3_60/1?rss=1&amp;ssource=mfc">
<title><![CDATA[New Women of the Silent Screen: China, Japan, Hollywood]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/20/3_60/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Catherine Russell<br />Jan  1, 2005; 20:1-13<br />Articles]]></description>
<dc:creator>Catherine Russell</dc:creator>
<dc:date>2005-01-01</dc:date>
<dc:identifier>10.1215/02705346-20-3_60-1</dc:identifier>
<dc:title><![CDATA[New Women of the Silent Screen: China, Japan, Hollywood]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/19/3_57/1?rss=1&amp;ssource=mfc">
<title><![CDATA[Pathos and Pathology: The Cinema of Todd Haynes]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/19/3_57/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Mary Ann Doane<br />Jan  1, 2004; 19:1-21<br />Articles]]></description>
<dc:creator>Mary Ann Doane</dc:creator>
<dc:date>2004-01-01</dc:date>
<dc:identifier>10.1215/02705346-19-3_57-1</dc:identifier>
<dc:title><![CDATA[Pathos and Pathology: The Cinema of Todd Haynes]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/2_68/1?rss=1&amp;ssource=mfc">
<title><![CDATA[World without Strangers: The Poetics of Coincidence in Pedro Almodovar's Talk to Her]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/2_68/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Despina Kakoudaki<br />Jan  1, 2008; 23:1-39<br />Articles]]></description>
<dc:creator>Despina Kakoudaki</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2008-001</dc:identifier>
<dc:title><![CDATA[World without Strangers: The Poetics of Coincidence in Pedro Almodovar's Talk to Her]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/21/3_63/145?rss=1&amp;ssource=mfc">
<title><![CDATA[The Last Days of Women's Cinema]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/21/3_63/145?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Patricia White<br />Jan  1, 2006; 21:145-151<br />An Archive for the Future]]></description>
<dc:creator>Patricia White</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1215/02705346-2006-015</dc:identifier>
<dc:title><![CDATA[The Last Days of Women's Cinema]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/109?rss=1&amp;ssource=mfc">
<title><![CDATA[Interfaces of Identity: Oriental Traitors and Telematic Profiling in 24]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/109?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Lisa Nakamura<br />Jan  1, 2009; 24:109-133<br />Articles]]></description>
<dc:creator>Lisa Nakamura</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2008-016</dc:identifier>
<dc:title><![CDATA[Interfaces of Identity: Oriental Traitors and Telematic Profiling in 24]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/177?rss=1&amp;ssource=mfc">
<title><![CDATA[Race as Technology]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/177?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Beth Coleman<br />Jan  1, 2009; 24:177-207<br />Articles]]></description>
<dc:creator>Beth Coleman</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2008-018</dc:identifier>
<dc:title><![CDATA[Race as Technology]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/16/3_48/9?rss=1&amp;ssource=mfc">
<title><![CDATA[Technologies of Early Stardom and the Extraordinary Body]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/16/3_48/9?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Jennifer M. Bean<br />Jan  1, 2001; 16:9-57<br />Articles]]></description>
<dc:creator>Jennifer M. Bean</dc:creator>
<dc:date>2001-01-01</dc:date>
<dc:identifier>10.1215/02705346-16-3_48-9</dc:identifier>
<dc:title><![CDATA[Technologies of Early Stardom and the Extraordinary Body]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/89?rss=1&amp;ssource=mfc">
<title><![CDATA[The Interpellations of Interpolation; or, The Disintegrating Female Musical Body]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/89?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Bradley Rogers<br />Jan  1, 2008; 23:89-111<br />Fabulous! Divas, Part 2]]></description>
<dc:creator>Bradley Rogers</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-025</dc:identifier>
<dc:title><![CDATA[The Interpellations of Interpolation; or, The Disintegrating Female Musical Body]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/184?rss=1&amp;ssource=mfc">
<title><![CDATA["The Stallion Who Became a Gelding Who Became a Mayor": Georgie Girl]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/184?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Peter Limbrick<br />Jan  1, 2008; 23:184-193<br />Diva Appreciations]]></description>
<dc:creator>Peter Limbrick</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-032</dc:identifier>
<dc:title><![CDATA["The Stallion Who Became a Gelding Who Became a Mayor": Georgie Girl]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/172?rss=1&amp;ssource=mfc">
<title><![CDATA[Love and Fit]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/172?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Lisa Henderson<br />Jan  1, 2008; 23:172-177<br />Diva Appreciations]]></description>
<dc:creator>Lisa Henderson</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-034</dc:identifier>
<dc:title><![CDATA[Love and Fit]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/178?rss=1&amp;ssource=mfc">
<title><![CDATA["More Than One Way to Love": On Kiki and Herb (but Mostly Kiki)]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/1_67/178?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Lucas Hilderbrand<br />Jan  1, 2008; 23:178-183<br />Diva Appreciations]]></description>
<dc:creator>Lucas Hilderbrand</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-031</dc:identifier>
<dc:title><![CDATA["More Than One Way to Love": On Kiki and Herb (but Mostly Kiki)]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/107?rss=1&amp;ssource=mfc">
<title><![CDATA[Now You See It, Now You Don't: Transnational Feminist Spectatorship and Farida Benlyazid's A Door to the Sky]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/107?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Suzanne Gauch<br />Jan  1, 2009; 24:107-137<br />Articles]]></description>
<dc:creator>Suzanne Gauch</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2009-004</dc:identifier>
<dc:title><![CDATA[Now You See It, Now You Don't: Transnational Feminist Spectatorship and Farida Benlyazid's A Door to the Sky]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/139?rss=1&amp;ssource=mfc">
<title><![CDATA[Mothers and Daughters: Abjection and the Monstrous-Feminine in Japan's Dark Water and South Korea's A Tale of Two Sisters]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/139?rss=1&amp;ssource=mfc</link>
<description><![CDATA[K K Seet<br />Jan  1, 2009; 24:139-159<br />Articles]]></description>
<dc:creator>K K Seet</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2009-005</dc:identifier>
<dc:title><![CDATA[Mothers and Daughters: Abjection and the Monstrous-Feminine in Japan's Dark Water and South Korea's A Tale of Two Sisters]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/161?rss=1&amp;ssource=mfc">
<title><![CDATA[Masculinity in Video Games: The Gendered Gameplay of Silent Hill]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/161?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Ewan Kirkland<br />Jan  1, 2009; 24:161-183<br />Articles]]></description>
<dc:creator>Ewan Kirkland</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2009-006</dc:identifier>
<dc:title><![CDATA[Masculinity in Video Games: The Gendered Gameplay of Silent Hill]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/21/2_62/170?rss=1&amp;ssource=mfc">
<title><![CDATA[Postfeminism and the Archive for the Future]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/21/2_62/170?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Yvonne Tasker, Diane Negra<br />Jan  1, 2006; 21:170-176<br />An Archive for the Future]]></description>
<dc:creator>Yvonne Tasker, Diane Negra</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1215/02705346-2006-006</dc:identifier>
<dc:title><![CDATA[Postfeminism and the Archive for the Future]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/3_69/159?rss=1&amp;ssource=mfc">
<title><![CDATA[Gentlemen Prefer Hercules: Desire | Identification | Beefcake]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/3_69/159?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Robert A. Rushing<br />Jan  1, 2008; 23:159-191<br />Articles]]></description>
<dc:creator>Robert A. Rushing</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2008-011</dc:identifier>
<dc:title><![CDATA[Gentlemen Prefer Hercules: Desire | Identification | Beefcake]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/22/2_65/1?rss=1&amp;ssource=mfc">
<title><![CDATA[Introduction: There's Something about Mary]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/22/2_65/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Alexander Doty<br />Jan  1, 2007; 22:1-9<br />Articles]]></description>
<dc:creator>Alexander Doty</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-001</dc:identifier>
<dc:title><![CDATA[Introduction: There's Something about Mary]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/22/1_64/43?rss=1&amp;ssource=mfc">
<title><![CDATA["One Right Guy to Another": Howard Hawks and Auteur Theory Revisited]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/22/1_64/43?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Varun Begley<br />Jan  1, 2007; 22:43-75<br />Articles]]></description>
<dc:creator>Varun Begley</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1215/02705346-2006-020</dc:identifier>
<dc:title><![CDATA["One Right Guy to Another": Howard Hawks and Auteur Theory Revisited]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/23/3_69/35?rss=1&amp;ssource=mfc">
<title><![CDATA[Skin Deep: Josephine Baker and the Colonial Fetish]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/23/3_69/35?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Anne Anlin Cheng<br />Jan  1, 2008; 23:35-79<br />Articles]]></description>
<dc:creator>Anne Anlin Cheng</dc:creator>
<dc:date>2008-01-01</dc:date>
<dc:identifier>10.1215/02705346-2008-007</dc:identifier>
<dc:title><![CDATA[Skin Deep: Josephine Baker and the Colonial Fetish]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/67?rss=1&amp;ssource=mfc">
<title><![CDATA[The Whiteness of Privacy: Race, Media, Law]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/1_70/67?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Eden Osucha<br />Jan  1, 2009; 24:67-107<br />Articles]]></description>
<dc:creator>Eden Osucha</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2008-015</dc:identifier>
<dc:title><![CDATA[The Whiteness of Privacy: Race, Media, Law]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/21/2_62/32?rss=1&amp;ssource=mfc">
<title><![CDATA[The Intimacies of Globalization: Bodies and Borders On-Screen]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/21/2_62/32?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Emily S. Davis<br />Jan  1, 2006; 21:32-73<br />Articles]]></description>
<dc:creator>Emily S. Davis</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1215/02705346-2006-002</dc:identifier>
<dc:title><![CDATA[The Intimacies of Globalization: Bodies and Borders On-Screen]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/22/2_65/39?rss=1&amp;ssource=mfc">
<title><![CDATA[Wicked Divas, Musical Theater, and Internet Girl Fans]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/22/2_65/39?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Stacy Wolf<br />Jan  1, 2007; 22:39-71<br />Articles]]></description>
<dc:creator>Stacy Wolf</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1215/02705346-2007-003</dc:identifier>
<dc:title><![CDATA[Wicked Divas, Musical Theater, and Internet Girl Fans]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/77?rss=1&amp;ssource=mfc">
<title><![CDATA[Betrayed Promises: Politics and Sexual Revolution in the Films of Marta Meszaros, Milos Forman, and Dusan Makavejev]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/24/2_71/77?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Constantin Parvulescu<br />Jan  1, 2009; 24:77-105<br />Articles]]></description>
<dc:creator>Constantin Parvulescu</dc:creator>
<dc:date>2009-01-01</dc:date>
<dc:identifier>10.1215/02705346-2009-003</dc:identifier>
<dc:title><![CDATA[Betrayed Promises: Politics and Sexual Revolution in the Films of Marta Meszaros, Milos Forman, and Dusan Makavejev]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/22/1_64/197?rss=1&amp;ssource=mfc">
<title><![CDATA[Feminism and Video: A View from the Village]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/22/1_64/197?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Joan Braderman<br />Jan  1, 2007; 22:197-208<br />An Archive for the Future]]></description>
<dc:creator>Joan Braderman</dc:creator>
<dc:date>2007-01-01</dc:date>
<dc:identifier>10.1215/02705346-2006-027</dc:identifier>
<dc:title><![CDATA[Feminism and Video: A View from the Village]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/15/2_44/1?rss=1&amp;ssource=mfc">
<title><![CDATA["Happy Ends" to Crises of Heterosexual Desire: Toward a Social Psychology of Recent German Comedies]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/15/2_44/1?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Randall Halle<br />Jan  1, 2000; 15:1-39<br />Articles]]></description>
<dc:creator>Randall Halle</dc:creator>
<dc:date>2000-01-01</dc:date>
<dc:identifier>10.1215/02705346-15-2_44-1</dc:identifier>
<dc:title><![CDATA["Happy Ends" to Crises of Heterosexual Desire: Toward a Social Psychology of Recent German Comedies]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/20/1_58/149?rss=1&amp;ssource=mfc">
<title><![CDATA[Of Red Queens and Garden Clubs: The Manchurian Candidate, Cold War Paranoia, and the Historicity of the Homosexual]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/20/1_58/149?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Kevin Ohi<br />Jan  1, 2005; 20:149-183<br />Articles]]></description>
<dc:creator>Kevin Ohi</dc:creator>
<dc:date>2005-01-01</dc:date>
<dc:identifier>10.1215/02705346-20-1_58-149</dc:identifier>
<dc:title><![CDATA[Of Red Queens and Garden Clubs: The Manchurian Candidate, Cold War Paranoia, and the Historicity of the Homosexual]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/20/1_58/185?rss=1&amp;ssource=mfc">
<title><![CDATA[Darkness and Light: Dusky Maidens and Velvet Dreams]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/20/1_58/185?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Sarina Pearson<br />Jan  1, 2005; 20:185-207<br />Women Working]]></description>
<dc:creator>Sarina Pearson</dc:creator>
<dc:date>2005-01-01</dc:date>
<dc:identifier>10.1215/02705346-20-1_58-185</dc:identifier>
<dc:title><![CDATA[Darkness and Light: Dusky Maidens and Velvet Dreams]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/21/1_61/147?rss=1&amp;ssource=mfc">
<title><![CDATA[Not a Dirty Secret: On Some Cases of Bulimia in Cinema]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/21/1_61/147?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Raya Morag<br />Jan  1, 2006; 21:147-182<br />An Archive for the Future]]></description>
<dc:creator>Raya Morag</dc:creator>
<dc:date>2006-01-01</dc:date>
<dc:identifier>10.1215/02705346-2005-011</dc:identifier>
<dc:title><![CDATA[Not a Dirty Secret: On Some Cases of Bulimia in Cinema]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

<item rdf:about="http://cameraobscura.dukejournals.org/cgi/content/short/20/1_58/59?rss=1&amp;ssource=mfc">
<title><![CDATA[Maximum Insecurity: Genre Trouble and Closet Erotics in and out of HBO's Oz]]></title>
<link>http://cameraobscura.dukejournals.org/cgi/content/short/20/1_58/59?rss=1&amp;ssource=mfc</link>
<description><![CDATA[Joe Wlodarz<br />Jan  1, 2005; 20:59-105<br />Articles]]></description>
<dc:creator>Joe Wlodarz</dc:creator>
<dc:date>2005-01-01</dc:date>
<dc:identifier>10.1215/02705346-20-1_58-59</dc:identifier>
<dc:title><![CDATA[Maximum Insecurity: Genre Trouble and Closet Erotics in and out of HBO's Oz]]></dc:title>
<dc:publisher>Duke University Press</dc:publisher>
</item>

</rdf:RDF>